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    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

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    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

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    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

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    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

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    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

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    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

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    Why Creativity Exists: The Evolutionary Perspective

    We often think of creativity as something uniquely human: painting, music, cinema, scientific discovery, fashion, invention. But biologically, creativity can be understood more simply. It is the capacity to generate possibilities that are not already encoded in the current solution. That changes the question. Instead of asking, “Why do humans make art?”, we can ask: Why […] More

    Read More

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    Grave of the Fireflies: the death of innocence

    Isao Takahata’s Grave of the Fireflies (1988) is often described as one of cinema’s great anti-war films. That description is true, but incomplete. The film’s devastation does not come simply from showing that war kills civilians. It comes from showing what war does to the moral conditions of ordinary life: how hunger narrows compassion, how pride becomes […] More

    Read More

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    Foxcatcher: The things money can’t buy

    Bennett Miller’s Foxcatcher (2014) is often described as a true-crime drama about the murder of Olympic wrestler Dave Schultz. That’s accurate, but it’s also the least interesting thing about the film. The murder isn’t really a twist. From the beginning, something feels deeply wrong. The film spends two hours showing us the conditions that make the ending […] More

    Read More

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    Out of the Furnace: Living in a place that lost its future

    Scott Cooper’s Out of the Furnace is easy to describe as a revenge movie. A working-class man loses his brother to a violent criminal and eventually hunts down the man responsible. But that’s almost the least interesting thing about it. The deeper film is about fate, dignity, economic decline, masculinity, violence, family, and the terrifying possibility that […] More

    Read More

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    What Daft Punk Won by Never Showing Their Faces

    There is something almost paradoxical about Daft Punk’s success. They became one of the most recognizable musical acts in the world while doing something that seems almost impossible in today’s culture of personal branding: They refused to show us who they were. Thomas Bangalter and Guy-Manuel de Homem-Christo became globally famous while their actual faces […] More

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    Trainspotting: Choose Life

    Renton’s “Choose Life” monologue gets quoted so often it has been defanged into a poster you can buy at Urban Outfitters. That is a category error. The speech is not a rejection of consumer life delivered by someone who has a better alternative. It’s the diagnosis of a man who has correctly identified that the […] More

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    Backrooms: The World We Escape Into

    Backrooms, directed by Kane Parsons, is one of the most elaborate psychological horror films to emerge in decades. Through the abstract metaphor of the Backrooms, the film descends into the subconscious mechanisms we use to conceal painful truths in order to survive, creating a form of horror far more threatening than any monster: the reality […] More

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    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

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    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

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    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

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    Why Creativity Exists: The Evolutionary Perspective

    We often think of creativity as something uniquely human: painting, music, cinema, scientific discovery, fashion, invention. But biologically, creativity can be understood more simply. It is the capacity to generate possibilities that are not already encoded in the current solution. That changes the question. Instead of asking, “Why do humans make art?”, we can ask: Why […] More

    Read More

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  • in

    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

  • in

    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

  • in

    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

  • in

    Why Creativity Exists: The Evolutionary Perspective

    We often think of creativity as something uniquely human: painting, music, cinema, scientific discovery, fashion, invention. But biologically, creativity can be understood more simply. It is the capacity to generate possibilities that are not already encoded in the current solution. That changes the question. Instead of asking, “Why do humans make art?”, we can ask: Why […] More

    Read More

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    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

  • in

    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

  • in

    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

  • in

    Why Creativity Exists: The Evolutionary Perspective

    We often think of creativity as something uniquely human: painting, music, cinema, scientific discovery, fashion, invention. But biologically, creativity can be understood more simply. It is the capacity to generate possibilities that are not already encoded in the current solution. That changes the question. Instead of asking, “Why do humans make art?”, we can ask: Why […] More

    Read More

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    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

  • in

    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

  • in

    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

  • in

    Why Creativity Exists: The Evolutionary Perspective

    We often think of creativity as something uniquely human: painting, music, cinema, scientific discovery, fashion, invention. But biologically, creativity can be understood more simply. It is the capacity to generate possibilities that are not already encoded in the current solution. That changes the question. Instead of asking, “Why do humans make art?”, we can ask: Why […] More

    Read More

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    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

  • in

    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

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    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

  • in

    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

  • in

    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

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  • in

    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

  • in

    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

  • in

    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

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    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

  • in

    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

  • in

    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

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    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

  • in

    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

  • in

    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

Masonry

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    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

  • in

    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

  • in

    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

  • in

    Why Creativity Exists: The Evolutionary Perspective

    We often think of creativity as something uniquely human: painting, music, cinema, scientific discovery, fashion, invention. But biologically, creativity can be understood more simply. It is the capacity to generate possibilities that are not already encoded in the current solution. That changes the question. Instead of asking, “Why do humans make art?”, we can ask: Why […] More

    Read More

  • in

    Grave of the Fireflies: the death of innocence

    Isao Takahata’s Grave of the Fireflies (1988) is often described as one of cinema’s great anti-war films. That description is true, but incomplete. The film’s devastation does not come simply from showing that war kills civilians. It comes from showing what war does to the moral conditions of ordinary life: how hunger narrows compassion, how pride becomes […] More

    Read More

  • in

    Foxcatcher: The things money can’t buy

    Bennett Miller’s Foxcatcher (2014) is often described as a true-crime drama about the murder of Olympic wrestler Dave Schultz. That’s accurate, but it’s also the least interesting thing about the film. The murder isn’t really a twist. From the beginning, something feels deeply wrong. The film spends two hours showing us the conditions that make the ending […] More

    Read More

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    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

  • in

    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

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    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

  • in

    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

  • in

    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

  • in

    Why Creativity Exists: The Evolutionary Perspective

    We often think of creativity as something uniquely human: painting, music, cinema, scientific discovery, fashion, invention. But biologically, creativity can be understood more simply. It is the capacity to generate possibilities that are not already encoded in the current solution. That changes the question. Instead of asking, “Why do humans make art?”, we can ask: Why […] More

    Read More

  • in

    Grave of the Fireflies: the death of innocence

    Isao Takahata’s Grave of the Fireflies (1988) is often described as one of cinema’s great anti-war films. That description is true, but incomplete. The film’s devastation does not come simply from showing that war kills civilians. It comes from showing what war does to the moral conditions of ordinary life: how hunger narrows compassion, how pride becomes […] More

    Read More

  • in

    Foxcatcher: The things money can’t buy

    Bennett Miller’s Foxcatcher (2014) is often described as a true-crime drama about the murder of Olympic wrestler Dave Schultz. That’s accurate, but it’s also the least interesting thing about the film. The murder isn’t really a twist. From the beginning, something feels deeply wrong. The film spends two hours showing us the conditions that make the ending […] More

    Read More

  • in

    Out of the Furnace: Living in a place that lost its future

    Scott Cooper’s Out of the Furnace is easy to describe as a revenge movie. A working-class man loses his brother to a violent criminal and eventually hunts down the man responsible. But that’s almost the least interesting thing about it. The deeper film is about fate, dignity, economic decline, masculinity, violence, family, and the terrifying possibility that […] More

    Read More

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  • in

    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

  • in

    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

  • in

    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

Grid

  • in

    Gladiator : Win the crowd, you’ll win your freedom

    Gladiator is one of the finest heroic tales in the history of cinema. But beneath its epic story of revenge, honor, and redemption lies something much deeper. The film explores ideas that seem simple on the surface, yet become increasingly unsettling the more you think about them. One of the clearest examples comes from Senator Gracchus: […] More

    Read More

  • in

    The Ingenue: Innocence outperforms desire in the long run

    There are two ways a face can make you feel something. One says: look at me. The other says: come closer. The first is admiration. The second is identification. Almost every visual industry that depends on an audience following a woman through a story : film, pop music, fashion campaigns built around narrative rather than pure aspiration has quietly […] More

    Read More

  • in

    Pusher Trilogy: Beyond the Criminal Underworld

    The Pusher trilogy, written and directed by Danish filmmaker Nicolas Winding Refn, explores the criminal underworld of Copenhagen through the lives of those trapped within it. While the first film largely delivers what you might expect from a crime film, the second and third installments go considerably deeper, transforming the trilogy into a much more fascinating exploration […] More

    Read More

  • in

    Why Creativity Exists: The Evolutionary Perspective

    We often think of creativity as something uniquely human: painting, music, cinema, scientific discovery, fashion, invention. But biologically, creativity can be understood more simply. It is the capacity to generate possibilities that are not already encoded in the current solution. That changes the question. Instead of asking, “Why do humans make art?”, we can ask: Why […] More

    Read More

  • in

    Grave of the Fireflies: the death of innocence

    Isao Takahata’s Grave of the Fireflies (1988) is often described as one of cinema’s great anti-war films. That description is true, but incomplete. The film’s devastation does not come simply from showing that war kills civilians. It comes from showing what war does to the moral conditions of ordinary life: how hunger narrows compassion, how pride becomes […] More

    Read More