{"version":"1.0","provider_name":"DUDE OI","provider_url":"https:\/\/www.dudeoi.com\/fr\/","author_name":"dudeoi","author_url":"https:\/\/www.dudeoi.com\/fr\/author\/dudeoi\/","title":"Maborosi: du deuil \u00e0 l\u2019acceptation - DUDE OI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"cwOEUeQbsg\"><a href=\"https:\/\/www.dudeoi.com\/fr\/maborosi-du-deuil-a-lacceptation\/\">Maborosi: du deuil \u00e0 l\u2019acceptation<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.dudeoi.com\/fr\/maborosi-du-deuil-a-lacceptation\/embed\/#?secret=cwOEUeQbsg\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Maborosi: du deuil \u00e0 l\u2019acceptation\u00a0\u00bb &#8212; DUDE OI\" data-secret=\"cwOEUeQbsg\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.dudeoi.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.dudeoi.com\/wp-content\/uploads\/2026\/04\/maborosi.jpg","thumbnail_width":705,"thumbnail_height":397,"description":"Dans&nbsp;Maborosi, Hirokazu Kore-eda \u00e9tablit un style cin\u00e9matographique d\u00e9fini par la retenue et l\u2019immobilit\u00e9. Le film se d\u00e9ploie \u00e0 travers de longs plans, un dialogue minimal et des compositions silencieuses, laissant le silence et l\u2019espace porter le sens. Plut\u00f4t que de diriger le spectateur, il invite \u00e0 l\u2019observation, cr\u00e9ant une exp\u00e9rience fa\u00e7onn\u00e9e autant par ce qui [&hellip;] More"}