{"version":"1.0","provider_name":"DUDE OI","provider_url":"https:\/\/www.dudeoi.com\/fr\/","author_name":"dudeoi","author_url":"https:\/\/www.dudeoi.com\/fr\/author\/dudeoi\/","title":"Le Tombeau des lucioles : la mort de l\u2019innocence - DUDE OI","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"wHJ9tFXV6F\"><a href=\"https:\/\/www.dudeoi.com\/fr\/le-tombeau-des-lucioles-la-mort-de-linnocence\/\">Le Tombeau des lucioles : la mort de l\u2019innocence<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.dudeoi.com\/fr\/le-tombeau-des-lucioles-la-mort-de-linnocence\/embed\/#?secret=wHJ9tFXV6F\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Le Tombeau des lucioles : la mort de l\u2019innocence\u00a0\u00bb &#8212; DUDE OI\" data-secret=\"wHJ9tFXV6F\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.dudeoi.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.dudeoi.com\/wp-content\/uploads\/2026\/08\/Grave_of_the_Fireflies_64.jpg","thumbnail_width":1920,"thumbnail_height":1040,"description":"Le&nbsp;Tombeau des lucioles&nbsp;(1988) d\u2019Isao Takahata est souvent consid\u00e9r\u00e9 comme l\u2019un des grands films anti-guerre du cin\u00e9ma. Cette description est juste, mais incompl\u00e8te. La force d\u00e9vastatrice du film ne vient pas seulement du fait qu\u2019il montre que la guerre tue des civils. Elle vient de ce qu\u2019il r\u00e9v\u00e8le sur les cons\u00e9quences de la guerre sur les [&hellip;] More"}